It's time for the charm of the eyes. "It's a sad time! Eyes charm

“Driven by the spring rays...” (excerpt from the novel “Eugene Onegin”) Driven by the spring rays, From the surrounding mountains the snow has already fled in muddy streams To the sunken meadows. With a clear smile, nature greets the morning of the year through a dream; The skies are shining blue. Still transparent, the forests seem to rest in peace

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“Eugene Onegin” (End) Great was Pushkin’s feat that he was the first to poetically reproduce in his novel Russian society of that time and in the persons of Onegin and Lensky showed his main, that is, male, side; but perhaps the greater feat of our poet is that he is the first

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“Eugene Onegin” (end) Pushkin’s great feat was that he was the first in his novel to poetically reproduce Russian society of that time and, in the person of Onegin and Lensky, showed its main, that is, male side; but perhaps the greater feat of our poet is that he is the first

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January 11, 2014

The year 1833 in the life of Alexander Sergeevich was marked by the second “Boldino autumn” and an unprecedented creative upsurge. The writer was just returning from the Urals and decided to stop in the village of Boldino. During this period he wrote a lot of interesting and talented works, among which was the poem “Autumn”. Pushkin was always fascinated by the golden time of the year; he loved this time most of all - he tirelessly repeated this both in prose and in poetry. So in 1833, the writer decided to devote a large and emotional poem to autumn.

Alexander Sergeevich really wanted to convey a special atmosphere of joy about the onset of his favorite time of year. Pushkin's "Autumn" amazes the reader with its beauty and poetry. The poet cannot explain the reason for his admiration for this time of year. He doesn't like spring because it begins to thaw and the dirt bothers him. It would be fun in the summer if it weren’t for mosquitoes, flies, dust and unbearable heat. Pushkin also likes winter with its snow-white blanket, severe frost, interesting holidays. But the poet has a special attitude towards autumn; nature has not yet shed its finery, but is already preparing for a long sleep.

Pushkin’s poem “Autumn” is written in iambic, which gives it cheerfulness and liveliness, very accurately conveying state of mind author. The theme of the work is sad, but the rhythmic pattern of the size contradicts this, while adding expressiveness and not at all violating the unity of the artistic impression of the work. The poem focuses on lyrical experiences. The poet very colorfully conveyed the picture of nature’s last breath: “she is still alive today, gone tomorrow.”

Reading the poem “Autumn” by Pushkin, the reader can mentally imagine the beautiful Boldino landscapes, “forests dressed in crimson and gold.” Despite the sad words and sometimes melancholy mood, thanks to the rhyme, the verse seems dynamic and alive. The writer cannot really explain his love for the golden season, he just likes it the way someone might like a “consumptive maiden.” It was autumn that always inspired Pushkin to write colorful and interesting works.

Certainly, this poem should be taken not only as a description of the time of year. In it, the poet depicted various pictures of life: winter holidays, ice skating, hunting by landowners, summer heat. It also contains hidden meaning, concerning the fate of a freethinking poet trying to create under autocracy. But still, this poem is an ode to his favorite season; Pushkin praised autumn in it.

Analysis of the work allows you to understand the poet’s feelings, understand the tension of all the forces of his soul, creative passion and impatience. The poem ends with the question “Where should we sail?” This reflection already concerns the poet’s position in society, his life under the conditions of an autocratic serfdom. “Autumn” is written in the form of a casual conversation with the reader, the author shares his experiences, thoughts, and feelings. The changing intonation adds special liveliness: from calm narrative to ironic and lyrical.

Analysis of A.S. Pushkin’s poem “Autumn”

Pushkin repeated more than once, both in prose and in poetry, that autumn is his favorite time years, so the poet described the “dull time, the charm of the eyes” with extraordinary convincingness and emotionality. He talked about his admiration: “I love... forests dressed in scarlet and gold.” The poet praises the “farewell beauty”, despite its imminent completion. He shows how inspiration is born in his soul, poetic images arise, transforming into lyrical creations.
The images in the poem are similar autumn nature- lyrical hero. Their description conveys the poet’s impressions and feelings: “farewell beauty, nature’s withering, a rare ray of sunshine.”
The genre of the work is a poem, therefore great attention devoted to lyrical experiences. Main role In the description of autumn, epithets play a role: “grave abyss”, “fresh breath”. Pushkin, as if with a brush, paints a picture of nature’s last breath. The metaphor “forests dressed in scarlet and gold” allows you to mentally imagine the almost fabulous forest riches of Boldino places in the fall. Inversion (“I love nature’s lush withering”) helps maintain rhyme, which makes the rhythm of the poem seem more lively and dynamic. Appeal “Sad time!” partially personifies autumn, making it even more picturesque. Pushkin uses the technique of alliteration to describe the sound of the wind: “In their canopy there is noise and fresh breath.” A large number of voiceless consonants onomatopoeically describes the rustling of leaves and coolness. The meter of the poem is iambic. Poetry written in iambic is usually painted in a lively, cheerful tone, accurately conveying the bright state of mind of the author. The rhythmic pattern of the meter contradicts the sad theme of the poem. At the same time, not only is the unity of the artistic impression from the poems not violated, but, on the contrary, this is precisely what creates the special charm and expressiveness of the work.
The poem does not contain the growing movement characteristic of Pushkin’s lyrics; personal intonations predominate. Particular expressiveness is created by the use of old style vocabulary: “autumn cold”, “suffering from winter”, “tormenting”. “Autumn” is interestingly rhymed: in separate stanzas, eight verses each. The first, third and fifth lines rhyme with each other (“charm”, “fading”, “breathing”); the second - with the fourth and sixth (“beauty”, “forests”, “heaven”); the last two are with each other (“frost”, “threats”). This sequence is carried through the entire poem. The stanza of the work is an octave, thanks to which a shade of slight sadness is created.
The color and splendor of Pushkin’s fading autumn is amazing. Reading a true, accurate and realistic depiction of pictures of nature, one involuntarily wants to personally see the grove in Boldino, “the last foxes from the naked ... branches”, to feel the “autumn chill”. It seems that autumn in the poem is poetically humanized, allegorically, metaphorically presented in the form of a living creature (“a consumptive maiden,” “the poor thing bows down without murmur or anger”), magnificently dressed “in crimson and gold.” In my opinion, this creation is an example of a beautiful lyrical work, a classic of world poetry.

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“Analysis of the poem by A. S. Pushkin “Autumn””

The work was written by Pushkin in 1833. A.S. arrived at the Boldino estate on the way back from the Urals. The period of a new creative upsurge of the poet has come: his second famous “Boldino Autumn” began. IN a short time A.S. wrote many first-class works.

Pushkin repeated more than once, both in prose and in poetry, that autumn is his favorite time of year, so the poet described the “dull time, the charm of the eyes” with extraordinary convincingness and emotionality. He talked about his admiration: “I love... forests dressed in scarlet and gold.” The poet praises the “farewell beauty”, despite its imminent completion. He shows how inspiration is born in his soul, poetic images arise, transforming into lyrical creations.

Pushkin wanted to infect the reader with his special, unprecedented love for autumn, a sign of the eternal renewal of life. Alexander Sergeevich, addressing the “dear reader,” hopes that the public will also be able to understand the beauty of “smiles on faded flowers” ​​and enjoy the wonderful descriptions of “sweet silence.”

The images of autumn nature - the lyrical hero - are similar in the poem. Their description conveys the poet’s impressions and feelings: “farewell beauty, nature’s withering, a rare ray of sunshine.”

The genre of the work is poetry, so much attention is paid to lyrical experiences. The main role in describing autumn is played by epithets: “grave abyss”, “fresh breath”. Pushkin, as if with a brush, paints a picture of nature’s last breath. The metaphor “forests dressed in scarlet and gold” allows you to mentally imagine the almost fabulous forest riches of Boldino places in the fall. Inversion (“I love nature’s lush withering”) helps maintain rhyme, which makes the rhythm of the poem seem more lively and dynamic. Appeal “Sad time!” partially personifies autumn, making it even more picturesque. Pushkin uses the technique of alliteration to describe the sound of the wind: “In their canopy there is noise and fresh breath.” A large number of voiceless consonants onomatopoeically describes the rustling of leaves and coolness. The meter of the poem is iambic. Poetry written in iambic is usually painted in a lively, cheerful tone, accurately conveying the bright state of mind of the author. The rhythmic pattern of the meter contradicts the sad theme of the poem. At the same time, not only is the unity of the artistic impression from the poems not violated, but, on the contrary, this is precisely what creates the special charm and expressiveness of the work.

The poem does not contain the growing movement characteristic of Pushkin’s lyrics; personal intonations predominate. Particular expressiveness is created by the use of old style vocabulary: “autumn cold”, “suffering from winter”, “tormenting”. “Autumn” is interestingly rhymed: in separate stanzas, eight verses each. The first, third and fifth lines rhyme with each other (“charm”, “fading”, “breathing”); the second - with the fourth and sixth (“beauty”, “forests”, “heaven”); the last two are with each other (“frost”, “threats”). This sequence is carried through the entire poem. The stanza of the work is an octave, thanks to which a shade of slight sadness is created.

The use of syntactic techniques that enhance the expressiveness of speech is observed. The poem contains a transfer from the line “So an unloved child in my own family / I am drawn to myself.” Pushkin repeatedly changes the order of words and uses inversion: “I again feel love for the habits of being.” The poem contains syntactic parallelism: “One by one sleep flies, one by one hunger finds.”

The color and splendor of Pushkin’s fading autumn is amazing. Reading a true, accurate and realistic depiction of pictures of nature, one involuntarily wants to personally see the grove in Boldino, “the last foxes from the naked ... branches”, to feel the “autumn chill”. It seems that autumn in the poem is poetically humanized, allegorically, metaphorically presented in the form of a living creature (“a consumptive maiden,” “the poor thing bows down without murmur or anger”), magnificently dressed “in crimson and gold.” In my opinion, this creation is an example of a beautiful lyrical work, a classic of world poetry.

“Autumn”, analysis of the poem by Alexander Pushkin

History of creation

Like many of the most famous creations of the poet and writer Alexander Sergeevich Pushkin. The poem “Autumn” was written during the autumn months of the artist’s stay in Boldino. Autumn was Pushkin's favorite time of year, when creative inspiration allowed him to continuously work on future masterpieces. It was the period called the Boldino autumn that was the most creatively fruitful in the life of Alexander Sergeevich. At the same time, the most famous “Belkin’s Tales” appeared, a number of poems that won greatest love readers later. The poem was written in 1833.

Storyline, images, theme

In the lines of the work one can immediately feel the special love and tenderness of the poet for the golden season. Each of them (lines) is filled with a warm feeling, admiration, delight at the sad but bright state of all living things around in the autumn season. An extraordinary appeal, the exclamation “Sad time! The charm of the eyes!”, which is based on the technique of antithesis, gives the reader a true idea of ​​autumn. This time is marked by nature's immersion in sleep, which will end in wonderful renewal and awakening. In a language understandable to the soul, Pushkin writes about autumn and its fragile beauty, refracted in the slanting cheekbones of the rain and the bright watercolor spots of falling leaves.

There is no motive of sadness and loss in “Autumn”. On the contrary, the poetic lines make you admire and hold your breath at how beautiful the magnificently fading nature is, sparkling with crimson and gold colors. Several plot motifs can be traced in “Autumn”. Pushkin not only speaks skillfully and lovingly about autumn, but also talks about his creative process and the fate of the artist in Tsarist Russia. The poem contains sketches from life, landscapes: a landowner's hunt, causing damage to the fields sown by peasants, winter holiday festivities, people languishing in the summer heat. Mention of other seasons is also used as a comparison, because for Alexander Sergeevich there is nothing better than autumn.
He invites us, readers, to enjoy the sweet silence, to see the special charm that permeates the smiles of withered flowers,

Without an abundance of funds artistic expression, but the poet writes clearly and truthfully about rural autumn:

October has already arrived; the grove is already shaking off

autumn cold, the road freezes;
the stream is still rumbling behind the mill,
But the pond has already frozen.

The work ends with the phrase “Where should we go?”, which embodies Alexander Sergeevich’s thoughts and conclusions about the artist’s difficult position in the era of the autocratic system, where pressure and control only intensified after the suppression of the Decembrist uprising. The tone of the poem periodically changes: the light and calm intonation that permeates the first stanza is replaced either by a sincerely lyrical one, or by an ironic one, where the author’s “I” is present.

Composition, paths

The genre of “Autumn” is appeal. The poet seems to be having a casual conversation with the reader. The meter in which the work is performed is iambic hexameter, thanks to which the impression of regularity and calmness of speech is achieved. The rhythmic pattern of the poem immerses us in the autumn bliss along with Pushkin. The union of such a poetic size and a three-dimensional stanza, called an octave, gives each of the stanzas completeness and a slight touch of light sadness. Pushkin uses such means of artistic expression as comparisons, metaphors (“forests dressed in scarlet and gold”), epithets (“grave breathing”), and inversion. Expressiveness poetic speech expressions of the old style (“cold,” “tormenting”) are especially strengthened.

Poem by A.S. Pushkin’s “Autumn” (perception, interpretation, evaluation)

1. The history of the creation of the work.

2. Characteristics of a work of the lyrical genre (type of lyrics, artistic method, genre).

4. Features of the composition of the work.

5. Analysis of means of artistic expression and versification (presence of tropes and stylistic figures, rhythm, meter, rhyme, stanza).

6. The meaning of the poem for the poet’s entire work.

The poem “Autumn” was written by A.S. Pushkin in 1833, when the poet arrived in Boldino on his way back from the Urals. This period was very fruitful in Pushkin’s work (the so-called second Boldino autumn). In a month and a half, he completes work on “The History of Pugachev” and “Songs of the Western Slavs”, begins to write “ Queen of Spades”, creates the poems “Angelo” and “The Bronze Horseman”, “The Tale of the Fisherman and the Fish” and “The Tale of the Dead Princess and the Seven Knights”, the poem “Autumn”.

The genre of the work is excerpt, the style is realistic. We can classify “Autumn” as a landscape lyric, which contains elements of philosophical meditation. As many literary scholars note, the content of the passage synthesizes the sphere of the significant, the beautiful and the sphere of the ordinary, everyday.

The epigraph of the passage refers us to the poem by G.R. Derzhavin “Evgeniy. Life is Zvansky.” Pushkin in his poem seems to continue to develop some of the themes heard in his predecessor. Derzhavin’s hero finds peace in a secluded rural life, with his family:

Is it possible to compare something with golden liberty,
With privacy and silence on Zvanka?
Contentment, health, harmony with your wife,
I need peace - days left.

He enjoys relaxing in the lap of beautiful nature:

Breathing innocence, I drink the air, the moisture has grown,
I see the crimson dawn, the rising sun,
looking for beautiful places between lilies and roses,
In the middle of the garden, the temple is drawn with a rod.

Quite naturally, the motive of creativity arises here:

From there I come to the sanctuary of the muses,
And with Flaccus, Pindar, the gods sat at a banquet,
To kings, to my friends, or to the sky I ascend,
Or I glorify rural life on the lyre.

We find a similar development of the theme (from nature to creativity) in Pushkin’s poem.

Another poet, E.A., also wrote about autumn. Baratynsky. He has a poem with the same title. In his work, Baratynsky likens autumn to the time of maturity in human life. This is the time of “harvesting fruits”, what a person has acquired in his spiritual and moral life. However, what kind of harvest does he collect? lyrical hero Baratynsky? Life experience, which also includes negative aspects: contempt for “dreams, passions, worldly labors,” “caustic, irresistible shame,” “deceptions and insults.” At the end of his life, he is bitterly aware of his own loneliness and experiences gloomy melancholy:

You, once a friend of all hobbies,
A fiery seeker of sympathy,
The king of brilliant mists - and suddenly
Contemplator of barren wilds,
Alone with melancholy, which is a mortal groan
Barely strangled by your pride.

The discovery of truth is not in vain for human soul. Bitter experience can destroy a person’s soul or lead him to God. However, a person cannot convey this spiritual discovery to anyone. Snow sweeps away all Baratynsky's hopes, aspirations, continuity of personal and spiritual experience. The final lines of the poem strike us with their hopelessness:

With death there is life, wealth with poverty -
All images of the ex-year
They will be equal under the snow veil,
Covering them monotonously, -
From now on this is the light before you,
But there is no future harvest in it for you!

In Pushkin, on the contrary, autumn theme associated with optimism, good spirits, the joy of creativity: “And every autumn I bloom again...” The passage begins with a modest and naturalistic description of the autumn season:

October has already arrived - the grove is already shaking off
The last leaves from their naked branches;
The autumn chill has blown in - the road is freezing.
The stream still runs babbling behind the mill...

Now is my time: I don’t like spring;
The thaw is boring to me; stench, dirt - in the spring I am sick;
The blood is fermenting, the feelings and the mind are constrained by melancholy.

Winter time depresses him with its prolonged monotony:

But you also need to know honor; six months of snow and snow,
All this, finally, for the inhabitant of the den,
The bear will get bored.

Summer brings with it natural phenomena, which depress the physical and mental state of the hero:

Oh, summer is red! I would love you
If only it weren't for the heat, the dust, the mosquitoes, and the flies.
You, ruining all your spiritual abilities,
You torture us; like the fields we suffer from drought;
Just to get something to drink and refresh yourself -
We have no other thought, and it’s a pity for the old woman’s winter...

Then the hero confesses his love for autumn:

It's a sad time! charm of the eyes!
Your farewell beauty is pleasant to me -
I love the lush decay of nature,
Forests dressed in scarlet and gold.

He begins to analyze his feelings and compares autumn with a “consumptive maiden” who meekly perceives own death. And here the poet’s thought acquires philosophical depth: autumn, the time to take stock, absorbs the features of all annual seasons. If we metaphorically transfer this to the state of the lyrical hero, his age, then life experience, the “spring” and “summer” his soul has gone through do not burden him, unlike the hero Baratynsky. On the contrary, all this gives rise to a love of life in him, a desire to enjoy its gifts. And behind all this is faith in her rationality and humility.

And every autumn I bloom again;
The Russian cold is good for my health;
I feel love for the habits of being:
One by one sleep flies away, one by one hunger comes;
The blood plays easily and joyfully in the heart,
Desires are boiling - I’m happy, young again,
I'm full of life again...

Thus, in the subtext of the poem we guess the idea of ​​the wisdom of life, manifested in the change of seasons. This is the same eternal law to which man is subject and which the poet discusses in the poem “I Visited Again.” Joyful emotions and a harmonious state of mind give rise to creative inspiration in the hero:

And I forget the world, and in sweet silence
I'm sweetly lulled to sleep by my imagination,
And poetry awakens in me...

Compositionally, we distinguish three parts in the passage. The first part is modest autumn landscape. The second part is pictures of spring, winter and summer nature. In the third part, the lyrical hero again returns to the theme of autumn and analyzes his attitude towards this time of year. Here the motive of creativity, poetic inspiration arises, which the hero compares with a huge ship. The poem ends with an open question: “It floats. Where should we go?" This question thematically echoes the epigraph from Derzhavin’s poem: “Why doesn’t my mind then enter into a slumber?” Thus, we have a ring composition.

"Autumn" is written in octaves. Six lines out of eight use two rhymes in a cross rhyme, the last two lines are united by a pair rhyme. The alternation of female and male rhymes changes through the stanza. The work uses a variety of means of artistic expression: metaphors (“the autumn chill has breathed”, “the grove is shaking off its last leaves”), “forests dressed in crimson and gold”), epithets (“quiet beauty”, “brilliant alarms”, “fresh breath”, “farewell beauty”, “in sweet silence”), oxymoron (“lush...withering”), inversion (“I love nature’s lush withering”) anaphora (“And the skies are covered with wavy darkness, And a rare ray of sun, and the first frosts, And distant threats of the gray winter"), syntactic parallelism ("In succession sleep flies away, in succession hunger finds"), alliteration and assonance ("Sad time! Charm of the eyes! Your farewell beauty is pleasant to me", "In their canopy of the wind there is noise and fresh breath") . Words of high style (“cold”, “torment”) coexist in the work with prosaisms (“organism”).

The place of the work in the poet’s work is determined by the synthesis of the lyrical and epic plans in it. There is no plot as such in “Autumn,” but we note the epic nature of its temporal and spatial scale. Researchers compared the passage with Pushkin's novel in verse, finding in them common features: realistic style, synthesis of the epic and lyrical, commonality of the author's manner (conversation with the reader). The poem “Autumn” arouses constant interest among critics and literary scholars.

Listen to Pushkin's poem Autumn is a sad time

Topics of adjacent essays

Picture for the essay analysis of the poem Autumn is a sad time

The famous poem “Autumn” (in another version “October has already arrived...”) is known to everyone in our country. Perhaps not by heart, but a couple of lines are a must. Or at least some phrases, especially those that have become catchphrases. Well, at least this one: “Sad time! The charm of the eyes! Who else could say that? Of course, Alexander Sergeevich Pushkin! Autumn time is a charm of the eyes... Look how subtly noted... What could inspire a person, even if he is very gifted, to write such a touching work? Just autumn? Or something more?

Family estate

In the autumn of 1833 in Boldino, a village located near Nizhny Novgorod, arrives a famous person, author of the most famous works to this day, Russian genius, literary reformer - A. S. Pushkin. Autumn time, the charm of the eyes... He loves this place, he idolizes the season, which gives him not only inspiration, but also physical strength. The estate that the famous poet visited is a family estate.

"Autumn"

The work “Autumn” is considered unfinished, consisting of 11 complete eight lines and a begun twelfth. In poetry, he describes his worldview during his stay in Boldino. Silence, the opportunity to forget, even to renounce the world, in order to give free rein to thoughts and dreams... Only work - boiling, selfless, all-consuming...

This is exactly how the inspired Autumn time felt - the charm of the eyes - captured the author, forcing bright colors words to draw every moment of fading surrounding nature. The poet describes the life and way of life of the district estates, his own pastime.

He also talks about his attitude to the seasons, arguing in detail this or that point of view. The author refers these enthusiastic words not only to autumn, but also to winter with its amusements and beauties. Pushkin shares his feelings with readers in a simple form.

Autumn time, the charm of the eyes, so unloved by many, but which has won his heart, makes him feel the need to justify himself to others, proving and explaining his enthusiastic attitude, which is so strikingly different from the opinion of most other people.

First visit to Boldino

First time in Nizhny Novgorod region Pushkin was on the eve of his wedding. The author was stuck in Boldino for three months. The magnificent autumn season - the charm of the eyes, as Pushkin wrote - inspired him to fruitful work. During that period, from the pen of the Russian classic came a whole series of works that are still famous to this day, including “The Tale of the Priest and His Worker Balda.”

Second visit

The next time (in the fall of 1833) Pushkin deliberately goes to the village; he already perceives it not as a family estate, but as an office for creativity. He is in a hurry to get there, despite the fact that his beautiful wife is waiting for him in St. Petersburg, and he has not been home for a very long time. Pushkin stayed in Boldino for only a month and a half, but during this time he gave the world several fairy tales and more than one poem.

Autumn time! Ouch charm!.. Do you know how beautiful Boldino autumn is? She cannot help but captivate with her beauty.

P.S.

During the same period, Pushkin gave birth to so many famous work, like “The History of Pugachev”. In Boldino, the author finished work on the work, rewriting it completely. There, work began on the cycle “Songs of the Western Slavs”. The writer must not have exaggerated when he wrote that it was in the fall that he felt a surge of inspiration:

"... And I forget the world - and in the sweet silence
I'm sweetly lulled to sleep by my imagination,
And poetry awakens in me..."

That's all true, but is this a reason not to love autumn - after all, in it special charm. It is not for nothing that Russian poets, from Pushkin to Pasternak, so often wrote about autumn, praising the beauty of golden foliage, the romance of rainy, foggy weather, and the invigorating power of cool air. AiF.ru collected best poems about autumn.

Alexander Pushkin

It's a sad time! charm of the eyes!
I am pleased with your farewell beauty -
I love the lush decay of nature,
Forests dressed in scarlet and gold,
In their canopy there is noise and fresh breath,
And the skies are covered with wavy darkness,
And a rare ray of sunshine, and the first frosts,
And distant threats of gray winter.
And every autumn I bloom again;
The Russian cold is good for my health;
I feel love again for the habits of life:
One by one sleep flies away, one by one hunger comes;
The blood plays easily and joyfully in the heart,
Desires are boiling - I’m happy, young again,
I’m full of life again - that’s my body
(Please forgive me the unnecessary prosaicism).

State Museum-Reserve of A. S. Pushkin “Mikhailovskoe”. Pskov region. Photo: www.russianlook.com

Nikolay Nekrasov

Glorious autumn! Healthy, vigorous
The air invigorates tired forces;
Fragile ice on a chilly river
It lies like melting sugar;
Near the forest, like in a soft bed,
You can get a good night's sleep - peace and space!
The leaves have not yet faded,
Yellow and fresh, they lie like a carpet.
Glorious autumn! Frosty nights
Clear, quiet days...
There is no ugliness in nature! And kochi,
And moss swamps and stumps -
Everything is fine under the moonlight,
Everywhere I recognize my native Rus'...
I fly quickly on cast iron rails,
I think my thoughts...

Photo: Shutterstock.com / S.Borisov

Konstantin Balmont

And again autumn with the charm of rusty leaves,
Ruddy, scarlet, yellow, gold,
The silent blue of lakes, their thick waters,
The agile whistle and takeoff of tits in the oak forests.
Camel piles of majestic clouds,
The faded azure of the cast skies,
All around, the dimension of steep features,
The ascended vault, at night in starry glory.
Who's dreaming emerald blue
Drunk in summer hour, sad at night.
The whole past appears before him with his own eyes.
The surf beats quietly in the Milky Stream.
And I freeze, falling to the center,
Through the darkness of separation, my love, from you.

Fyodor Tyutchev

There are in the brightness of autumn evenings
Touching, mysterious charm:
The ominous shine and variegation of the trees,
Crimson leaves languid, light rustle,
Misty and quiet azure
Over the sad orphaned land,
And, like a premonition of descending storms,
Gusty, cold wind at times,
Damage, exhaustion - and everything
That gentle smile of fading,
What in a rational being we call
Divine modesty of suffering.

Afanasy Fet

When the end-to-end web
Spreads threads of clear days
And under the villager's window
The distant gospel is heard more clearly,
We're not sad, scared again
The breath of near winter,
And the voice of the summer
We understand more clearly.

Sergey Yesenin

Quietly in the juniper thicket along the cliff.
Autumn, a red mare, scratches her mane.
Above the river bank cover
The blue clang of her horseshoes is heard.
The schema-monk-wind steps cautiously
Crumples leaves over road ledges
And kisses on the rowan bush
Red ulcers for the invisible Christ.

Painting " Golden autumn" Ilya Ostroukhov, 1886-1887 Oil on canvas. Photo: www.russianlook.com

Ivan Bunin

The autumn wind rises in the forests,
It moves noisily through the thicket,
Dead leaves are torn off and having fun
Carries in a mad dance.
He will just freeze, fall down and listen,
Will wave again, and behind him
The forest will hum, tremble - and they will fall
Leaves rain golden.
Blows like winter, frosty blizzards,
Clouds are floating in the sky...
Let everything that is dead and weak perish
And return to dust!
Winter blizzards are the forerunners of spring,
Winter blizzards must
Bury under the cold snow
Dead by the time spring arrives.
In the dark autumn the earth takes refuge
Yellow foliage, and under it
Vegetation of shoots and herbs slumbers,
Juice of life-giving roots.
Life begins in mysterious darkness.
Its joy and destruction
Serve the imperishable and unchangeable -
The eternal beauty of Being!

Painting “On the veranda. Autumn". Stanislav Zhukovsky. 1911 Photo: www.russianlook.com

Boris Pasternak

Autumn. Fairytale palace
Open for everyone to review.
Clearings of forest roads,
Looking into the lakes.
Like at a painting exhibition:
Halls, halls, halls, halls
Elm, ash, aspen
Unprecedented in gilding.
Linden gold hoop -
Like a crown on a newlywed.
The face of a birch tree - under a veil
Bridal and transparent.
Buried Land
Under leaves in ditches, holes.
In the yellow maple outbuildings,
As if in gilded frames.
Where are the trees in September
At dawn they stand in pairs,
And the sunset on their bark
Leaves an amber trail.
Where you can't step into a ravine,
So that everyone doesn't know:
It's so raging that not a single step
There is a tree leaf underfoot.
Where it sounds at the end of the alleys
Echo at a steep descent
And dawn cherry glue
Solidifies in the form of a clot.
Autumn. Ancient Corner
Old books, clothes, weapons,
Where is the treasure catalog
The cold turns over the pages.

• 
  © Camille Pissarro, “Boulevard Montmartre”
• 
  © John Constable, “Autumn Sunset”
• 
  © Edward Kukuel, “Autumn Sun”
• 
  © Guy Dessard, “Autumn Motifs”
• 
  © Wassily Kandinsky, “Autumn in Bavaria”
• © James Tissot, “October”
• © Isaac Levitan, “Autumn Day”
• 
  © Isaac Levitan, “Golden Autumn”
• 
  © Francesco Bassano, “Autumn”
• 
  © Vincent van Gogh, “Falling Leaves”